Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952 PDF ePub eBook

Books Info:

Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952 free pdf From stereoview cards to large-format IMAX films, 3-D technology's heightened realism and powerful visual allure have held audiences captive for over a century and a half. The technology, known as stereoscopy, creates an illusion of depth by presenting two slightly different images to the eye in print or on-screen. The advent of stereoscopic film technology excited both filmmakers and audiences, as a means of replicating all of the sounds, colors, movement, and dimensionality of life and nature for the first time. The origins of 3-D film are often linked with a proliferation of stereoscopic films in the 1950s. By the time films like Man in the Dark and House of Wax was attracting large crowds, however, the technology behind this form of filmmaking was already over a century old. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, examines this "novelty period" of stereoscopic film, charting its progression from Charles Wheatstone's 1938 discovery of 3-D to the 1952 release of Arch Oboler's innovative film, Bwana Devil. Stereoscopic specialist Ray Zone argues that the development of stereoscopic film can best be understood through a historical analysis of the technology rather than of its inventors. Zone examines the products used to create stereoscopic images, noting such milestones as David Brewster's and Oliver Wendell Holmes's work with stereoscopes, the use of polarizing image selection, and the success of twin-strip 3-D films, among others. In addition, Zone looks at the films produced up to 1952, discussing public reception of early 3-D short films as well as longer features such as Power of Love in single-strip anaglyphic projection in 1922 and Semyon Ivanov's 1941 autostereoscope Robinson Crusoe. He integrates his examination of the evolution of 3-D film with other cinematic developments, demonstrating the connection between stereoscopic motion pictures and modern film production. Stereoscopic Cinema and the Origins of 3-D Film, 1838--1952, is an exhaustive study of not only the evolution of 3-D technology and the subsequent filmmaking achievements but also the public response to and cultural impact of 3-D movies. Zone takes the reader on a voyage of discovery into the rich history of a field that predates photography and that continues to influence television and computer animation today.

About Ray Zone

Sad to say, at the moment we cannot supply you with information about this Founder Ray Zone. But this does not necessarily mean that we fail on her behalf assortment. We all inquire which you allow us in this particular subject. When you have leisure time and want will probably exceptionally get pleasure from in the event you give you your data. Any time having these kinds of comments and information from consumers regarding the Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952 Founder Ray Zone, many of us very first your ex check out. Once most of us make sure that most genuine, merely submit that. All of us can see this help and also thank you in advance.

Details Book

Author : Ray Zone
Publisher : University Press of Kentucky
Data Published :
ISBN : 0813145902
EAN : 9780813145907
Format Book : PDF, Epub, DOCx, TXT
Number of Pages : 232 pages
Age + : 15 years
Language : English
Rating :

Reviews Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952



17 Comments Add a comment




Related eBooks Download


  • The Great War in 3D free pdfThe Great War in 3D

    An innovative package includes a sturdy. metal stereoscopic viewer. 35 stereoscopic photographs of some of the most compelling moments captured on film during WWI. An 176-page paperback provides a brief history of war photography and an overview of the war from 1914 through the Treaty of Versailles..


  • Encyclopedia of Early Cinema free pdfEncyclopedia of Early Cinema

    This encyclopedia presents a wealth of information on early cinema history. with coverage of the techniques and equipment of film production. profiles of the pioneering directors and producers. analysis of individual films and the rapid growth of distinct film genres..


  • Film, Form, and Culture free pdfFilm, Form, and Culture

    "The Film. Form. and Culture CD-ROM" serves as a multimedia glossary or dictionary to any film text. It is available separately. and it can be packaged at a discount with any McGraw-Hill film title. The CD-ROM illustrates film elements and concepts with QuickTime clips from a wide variety of classic films: "Citizen Kane"..


  • Historical Dictionary of Film Noir free pdfHistorical Dictionary of Film Noir

    Film noir-literally "black cinema"-is the label customarily given to a group of black and white American films. mostly crime thrillers. made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film..


  • The Insider's Guide to Independent Film Distribution free pdfThe Insider's Guide to Independent Film Distribution

    Innovation in technology means that almost anyone can make an independent film these days. Although this may be good news for aspiring filmmakers. it also means that the oversupply of independent films on the market has caused acquisition prices to dramatically decrease..


  • Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952 free pdfStereoscopic Cinema and the Origins of 3-D Film, 1838-1952

    Ebooks Free Download. From stereoview cards to large-format IMAX films, 3-D technology's heightened realism and powerful visual allure have held audiences captive for over a century and a half. The te